“If you are trying to create the lush soul vocals of the 1970's and early 80's (pre-digital reverbs), then look no further than the UAD EMT 140 Plate Reverb. Steve Levine - Producer (Culture Club, Beach Boys, Patch William)
Simply using the CD release version as source audio for lacquer cutting frequently produces inferior results.” Vinyl records just don't have the high frequency headroom that digital does, so preparing a special set of sound files for lacquer cutting can make the vinyl version much better-sounding and more playable on lower cost cartridges. My final go-to plug-in is the Precision De-Esser, which is especially valuable in preparing master audio for vinyl releases. This is a very powerful and great sounding tool - the “Stereo Expander” can open up mixes that sound boxy and claustrophobic, while the “Mid-Hi Tune” and “LC-EQ” sections can add subtle sparkle to vocals or instruments depending on your choice of turnover frequency in both. It is the best sounding, most transparent digital limiter I've ever found, and is particularly useful for acoustic music where coloration is not desired.
“For mastering, the UAD plug-in I use most frequently is the Precision Limiter. Paul Blakemore - Mastering Engineer (Esperanza Spalding, Ladysmith Black Mambazo)
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